As a child, Joyce Crago was captivated by funerals. She play-acted, directing her two younger sisters to lie still while she ran the funerals. She especially liked being the corpse, but that never worked out, because her sisters would run off. Since childhood, death and funerals have held her fascination. In 2018, Crago’s younger sister Hazel died unexpectedly, an experience that brought her childhood fascination back to the surface.
PLAYING DEAD comprises lens-based, multimedia works that draw upon Crago’s compulsion to understand in order to process trauma. The installation presents an open-ended narrative, allowing viewers to confront death—a topic that Western society aims to avoid at all costs—and to reconcile themselves to their own mortality. The centrepiece of PLAYING DEAD is an installation that presents a photo-sculpture of Crago’s naked body, around which are displayed still-life images of both items remaining after Hazel’s funeral and her belongings. This piece engages the physicality of the photograph, inhabiting the liminal intersection of photography and sculpture. Complementing this work are two video-performances, in which the artist gives life to her sister’s clothes.
While PLAYING DEAD is an intimately personal work, it offers viewers space within which to contemplate the broader themes of mourning and mortality.
A Statement Regarding the Impact of COVID-19 on CONTACT
Due to the COVID-19 pandemic, the schedule for the 24th annual Scotiabank CONTACT Photography Festival is currently being adapted. Typically spanning the month of May, the city-wide Festival’s exhibitions will open on a case-by-case basis in the future, in accordance with public health and safety guidelines.
This website includes profiles for all exhibitions originally planned for CONTACT 2020 in May, although currently without specific dates and venue hours of access. When information is confirmed, calendar details will be provided.
For information about COVID-19 from the City of Toronto, please visit toronto.ca/home/covid-19/.
Jan 17 – Jan 26 2020
A collaboration between a collage artist and a floral designer, ‘quiet vignettes’ combines both practices to create a subtle — almost evanescent — experience of a balance and poised marriage of two art forms. Both artists have responded to the other in a mirrored reaction to their work. The first, a series of understated folds and creases that evoke a sense of quiet energy. The second, a presentation of evocative foliage. Though different, the pieces mix and meld into a balanced and graceful dance. The result is an intimate spatial installation. One that nudges you to slow down and pay attention — and to reflect the unassuming authority of a unique and unexpected bond.